Getting Away With It

I'm David. During the day I work in tech. I go out and visit bookstores on the weekends.

Posts tagged #publishing

The truth is this: Google destroyed the RSS feed reader ecosystem with a subsidized product, stifling its competitors and killing innovation. It then neglected Google Reader itself for years, after it had effectively become the only player. Today it does further damage by buggering up the already beleaguered links between publishers and readers. It would have been better for the Internet if Reader had never been at all.

This behavior is what worries people about any marketplace where one player dominates — even if it’s not a monopoly. It’s the threat of something similar in publishing/ebooks, for example, with Amazon, that drove publishers to attempt to enforce the agency model. The fear is once you have effective control over an ecosystem, you lose interest in innovating or, indeed, maintaining it.

cortesi - Google, destroyer of ecosystems

Sad to see them go; I started reading at issue three and always enjoyed it.

harperbooks:

irisblasi:

Random Penguins.

Did I miss something?

Penguin House! Penguin House!!

One of the downsides of reading an ebook can be finding weird formatting, spelling mistakes, and other things that got lost in the digital translation. However, word started going around last week about one of the more bizarre changes we’ve heard of — apparently, in the War and Peace on the Barnes and Noble Nook platform, every instance of the world “kindled” has been replaced with “nookd.” Since “nookd” isn’t a word as far as we can tell, it seems that someone was trying to remove references to Amazon’s competing ebook platform from this fine piece of literature.

It’s the (lazy, cheap) publisher’s fault — Barnes and Noble quite obviously doesn’t automate such a process, as I have a number of O’Reilly books on ePublishing that mention Kindle specifically by name on my nook. 

Nook version of ‘War and Peace’ replaces all instances of ‘kindled’ with ‘nookd’ | The Verge

“SFWA is redirecting Amazon.com links”

In recent days, Amazon.com decided to remove more than 4000 e-books from its website after a pricing dispute with IPG. The Independent Publishing Group is one of the largest independent distributors in the United States.

While Amazon has the right to decide with what company it does business, its removal of many of our authors’ books from its ordering system will have an economic impact on them. Our authors depend on people buying their books and a significant percentage of them have books distributed through IPG. Therefore, SFWA is redirecting Amazon.com links from the organization’s website to other booksellers because we would prefer to send traffic to stores where the books can actually be purchased.

To that end, our volunteers are in the process of redirecting book links to indiebound.org, Powell’s, and Barnes and Noble.

[source.] Emphasis mine. What good is an e-reader if no one wants to submit to your terms to have their content on it?

Barnes and Noble went through a version of this back in the 90s, when they were the big bad wolf in the publishing industry. (The company still demands a 55% discount off cover price for buying books from publishers, and are by no means a small fish.) But Bezos is the man that scares the publishing industry now, because he wants to be what neither Barnes and Noble or Borders ever tried to be: a publisher.

Amazon is no longer just another marketplace. It’s direct competition for publishers.

Canada’s Torstar reported fourth-quarter and fiscal year results Wednesday, and the performance of Harlequin fits the general pattern of other publicly-reported trade publishers: sales were down a little, and operating earnings rose. This is what the digital transition looks like.
Barnes & Noble has made a decision not to stock Amazon published titles in our store showrooms,” Jaime Carey, the company’s chief merchandising officer, said in a statement. “Our decision is based on Amazon’s continued push for exclusivity with publishers, agents and the authors they represent. These exclusives have prohibited us from offering certain e-books to our customers. Their actions have undermined the industry as a whole and have prevented millions of customers from having access to content. It’s clear to us that Amazon has proven they would not be a good publishing partner to Barnes & Noble as they continue to pull content off the market for their own self interest.
Ars Technica is reporting that Apple’s media event in New York on Thursday won’t necessarily be about generic education partnerships to release textbooks, but instead be an unveil of a new tools that together are described as “GarageBand for e-books.
Interviewing Stein on his radio program, Cerf said, “I’m very proud to be your publisher, Miss Stein, but as I’ve always told you, I don’t understand very much of what you’re saying.” She said, “Well, I’ve always told you, Bennett, you’re a very nice boy, but you’re rather stupid.

Grin and Tonic, the generally-clever humor column at the Barnes and Noble Review, is back! And this is actually a hilarious one.

Cross-posting from twitter: thoughts on Vanity Fair’s How A Book Is Born

halcy:

deltamualpha:

Computer algorithms can tell me what else sells well. But they can’t find the next The Art of Fielding

It is kind of important to suffix statements like that with “…yet.”

Lemme just break out the #OurNewRoboticOverlords tag here…

(Seriously, though, when a computer can tell me why a book has “literary merit” or not, we’ve solved AI and have much bigger problems on our hands than bookselling.)

Cross-posting from twitter: thoughts on Vanity Fair’s How A Book Is Born

Finished reading the VF article/ebook on Art of Fielding, How A Book Is Born. Interesting. Agree w/writer that publishers fill need that ebooks don’t remove. In fact, publishers may be even more important in the digital world: if everything can be published, how else do we find the good? Computer algorithms can tell me what else sells well. But they can’t find the next The Art of Fielding, can they?

Bestsellers are generally a product of a publisher’s marketing/publicity departments, not necessarily a book’s “merit”. I recall @neilhimself mentioning that American Gods was “marketed as a bestseller”. Publishers help the marketplace decide what’s good. It’s not deterministic; just browse the remaindered table at BN to see publisher bets on bestsellers that didn’t pan out.

Publishers are combination investors, tastemakers, critics, and evangelists. These roles are hard for an author to take on alone.

(By Katherine Goldstein - Slate Magazine)